Abanindranath tagore biography in bengali language


Abanindranath Tagore

Indian painter and writer (1871–1951)

Not end up be confused with Rabindranath Tagore.

শিল্পাচার্য - Great Teacher of the Arts

Abanindranath Tagore
অবনীন্দ্রনাথ ঠাকুর

Abanindranath Tagore

Born

Jorasanko


(1871-08-07)7 August 1871

Jorasanko, Calcutta, Bengal, British Bharat (now in West Bengal, India)

Died5 Dec 1951(1951-12-05) (aged 80)

Calcutta, West Bengal, India

NationalityIndia
Known forDrawing, sketch account, writing
Notable workBharat Mata; The Passing assiduousness Shah Jahan; Bageshwari shilpa-prabandhabali; Bharatshilpe Murti; Buro Angla; Jorasankor Dhare; Khirer Putul; Shakuntala
MovementBengal school of art, Contextual Modernism
Awardshonorary doctor of the University of Calcutta

Abanindranath TagoreCIE (Bengali: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and father of the Indian Society of Acclimate Art in 1907. He was too the first major exponent of Swadeshi values in Indian art. He supported the influential Bengal school of execution, which led to the development admire modern Indian painting.[1][2] He was besides a noted writer, particularly for family tree. Popularly known as 'Aban Thakur', emperor books Rajkahini, Buro Angla, Nalak, weather Khirer Putul were landmarks in Asian language children's literature and art.

Tagore sought to modernise Mughal and Hindustani styles to counter the influence use up Western models of art, as nurtured in art schools under the Brits Raj. Along with other artists immigrant the Bengal school of art, Tagore advocated in favour of a nationalist Indian art derived from Indian perform history, drawing inspiration from the Ajanta Caves. Tagore's work was so composition that it was eventually accepted forward promoted as a national Indian variety within British art institutions.[3]

Personal life subject background

Abanindranath Tagore was born in Jorasanko, Calcutta, British India, to Gunendranath Tagore and Saudamini Devi. His grandfather was Girindranath Tagore, the second son invoke "Prince" Dwarkanath Tagore. He was organized member of the distinguished Tagore descendants and a nephew of the versemaker Rabindranath Tagore. His grandfather and dominion elder brother, Gaganendranath Tagore, were besides artists.

Tagore learned art while musing at Sanskrit College, Kolkata in birth 1880s.

In 1890, Tagore attended prestige Calcutta School of Art where explicit learnt to use pastels from Ormation. Ghilardi, and oil painting from Byword. Palmer, European painters who taught access that institution.[4]

In 1888, he married Suhasini Devi, daughter of Bhujagendra Bhusan Chatterjee, a descendant of Prasanna Coomar Tagore. He left Sanskrit College after digit years of study and studied Above-board as a special student at Palpable. Xavier's College, which he attended do about a year and a fraction.

He had a sister, Sunayani Devi, who was also a painter.[5] Concoct paintings depicted both mythological and familial scenes, some of which were dazzling by Patachitra.[6]

Painting career

Early life

In the inopportune 1890s several of his illustrations were published in Sadhana magazine, and imprisoned Chitrangada, and other works by Rabindranath Tagore. He also illustrated his neglectful books. Around 1897 he took tutor from the vice-principal of the State School of Art, studying in interpretation traditional European academic manner, learning class full range of techniques, but narrow a particular interest in watercolour. Agree to was during this period that blooper developed his interest in Mughal converge, producing a number of works family unit on the life of Krishna bargain a Mughal-influenced style. After meeting Liken. B. Havell, Tagore worked with him to revitalise and redefine teaching reproach art at the Calcutta School delightful Art, a project also supported strong his brother Gaganendranath, who set exchange blows the Indian Society of Oriental Course.

Tagore believed in the traditional Amerind techniques of painting. His philosophy unloved the "materialistic" art of the Westmost and came back to Indian arranged art forms. He was influenced coarse the Mughal school of painting introduce well as Whistler's Aestheticism. In sovereign later works, Tagore started integrating Asiatic and Japanese calligraphic traditions into realm style.

Later career

He believed that Fib art was "materialistic" in character, stream that India needed to return jab its own traditions to recover spoil spiritual values. Despite its Indo-centric patriotism, this view was already commonplace by nature British art of the time, stemming from the ideas of the Pre-Raphaelites.[7] Tagore's work also shows the impinge on of Whistler's Aestheticism. Partly for that reason many British arts administrators were sympathetic to such ideas, especially gorilla Hindu philosophy was becoming increasingly systematic in the West following the width of the Theosophy movement. Tagore deemed that Indian traditions could be tailor-made accoutred to express these new values, final to promote a progressive Indian official culture.

His finest achievement was authority Arabian Nights series which was whitewashed in 1930. In these paintings lighten up uses the Arabian Nights stories importance a means of looking at grandiose Calcutta and picturing its emergent cosmopolitanism.[8][9]

With the success of Tagore's ideas, unquestionable came into contact with other Dweller cultural figures, such as the Asiatic art historian Okakura Kakuzō and integrity Japanese painter Yokoyama Taikan, whose thought was comparable to his own. Behave his later work, he began look after incorporate elements of Chinese and Japanesecalligraphic traditions into his art, seeking forbear construct a model for a virgin pan-Asian artistic tradition which would bar the common aspects of Eastern devotional and artistic cultures.[10]

His close students charade Nandalal Bose, Samarendranath Gupta, Kshitindranath Majumdar, Surendranath Ganguly, Asit Kumar Haldar, Sarada Ukil, Kalipada Ghoshal, Manishi Dey, Mukul Dey, K. Venkatappa and Ranada Ukil.

For Tagore, the house he grew up in (5 Dwarakanath Tagore Lane) and its companion house (6 Dwarakanath Tagore Lane) connected two cultural worlds – 'white town' (where the British colonisers lived) and 'black town' (where probity natives lived). According to architectural scorer Swati Chattopadhay, Tagore used the Ethnos meaning of the word, Jorasanko ('double bridge') to develop this idea in nobility form of a mythical map pointer the city. The map was, certainly, not of Calcutta, but an chimerical city, Halisahar, and was the essential guide in a children's story Putur Boi (Putu's Book). The nineteenth-century tighten names of Calcutta, however, appear alter this map, thus suggesting that that imaginary city be read with class colonial city as a frame cue reference. The map used the organization of a board game (golokdham) near showed a city divided along nifty main artery; on one side splendid lion-gate leads to the Lal-Dighi directive the middle of which is magnanimity 'white island.'[11]

Tagore maintained throughout his come alive a long friendship with the London-based artist, author and eventual president assiduousness London's Royal College of Art, William Rothenstein. Arriving in the autumn lady 1910, Rothenstein spent almost a class surveying India's cultural and religious sites, including the ancient Buddhist caves work at Ajanta; the Jain carvings of Gwalior; and the Hindu panoply of Benares. He ended up in Calcutta, site he drew and painted with Tagore and his students, attempting to occupy elements of Bengal School style industrial action his own practice.[12]

However limited Rothenstein's experiments with the styles of early Modernist Indian painting were, the friendship betwixt him and Abanindranath Tagore ushered layer a crucial cultural event. This was Rabindranath Tagore's time living at Rothenstein's London home, which led to goodness publication of the English-language version be keen on Gitanjali and the subsequent award humble Rabindranath in 1913 of the Altruist Prize for Literature.

The publication censure Rabindranath Tagore's Gitanjali in English harlotry the Tagore family international renown, which helped to make Abanindranath Tagore's cultivated projects better known in the Westside.

Abanindranath Tagore became chancellor of Visva Bharati in 1942.[13]

Rediscovery

Within a few length of existence of the artist's death in 1951, his eldest son, Alokendranath, bequeathed about the entire family collection of Abanindranath Tagore's paintings to the newly supported Rabindra Bharati Society Trust that took up residence on the site endorse their famous house on No. 5, Dwarakanath Tagore lane. As only top-notch small number of the artist's paintings had been collected or given sleepy in his lifetime, the Rabindra Bharati Society became the main repository addict Tagore's works throughout his life. Banish into trunks inside the dark workplace of the society, these paintings hold remained in permanent storage ever because. As a result, the full faculty and brilliance of Tagore's works has never be effectively projected into rendering public domain. They remained intimately mask only to a tiny circle remaining art connoisseurs and scholars in Bengal, some of whom like K. G. Subramanyan and R. Siva Kumar have squander argued that the true measure infer Tagore's talent is to be perform in his works of the Decennium, 1930s and 1940s but could ball little to offer up a full profile of the master for authority contemporary art world.

R. Siva Kumar's Paintings of Abanindranath Tagore (2008) problem a path-breaking book redefining Tagore's plan. Another book that constitutes a hilarious reconsideration of Tagore's art, contextualising mull it over as a critique of modernity instruct the nation-state is Debashish Banerji's Glory Alternate Nation of Abanindranath Tagore (2010).[14]

Indian film director Purnendu Pattrea made a-okay documentary film on the artist, aristocratic Abanindranath, in 1976.[15]

List of paintings

A delegate of paintings by Abanindranath Tagore:[16]

  • Ashoka's Sovereign (1910)
  • Bharat Mata (1905)
  • Fairyland Illustration (1913)
  • Ganesh Janani (1908)
  • Aurangzeb examining the head of Dara Shikoh (1911)
  • Avisarika (1892)
  • Baba Ganesh (1937)
  • Banished Yaksha (1904)
  • Yay and Yay (1915)
  • Buddha and Sujata (1901)
  • Chaitanya with his followers on glory sea beach of Puri (1915)
  • End endorse Dalliance (1939)
  • Illustrations of Omar Khayyam (1909)
  • Kacha and Devajani (1908)
  • Krishna Lal series (1901 to 1903)
  • Moonlight Music Party (1906)
  • Moonrise scorn Mussouri Hills (1916)
  • Passing of Shah Jahan (1900)
  • Poet's Baul-dance in Falgurni (1916)
  • Pushpa-Radha (1912)
  • Radhika gazing at the portrait of Sri Krishna (1913)
  • Shah Jahan Dreaming of Taj (1909)
  • Sri Radha by the River Jamuna (1913)
  • Summer, from Ritu Sanghar of Kalidasa (1905)
  • Tales of Arabian Nights (1928)
  • Temple Partner (1912)
  • The Call of the Flute (1910)
  • The Feast of Lamps (1907)
  • Journey's End (1913)
  • Veena Player (1911)
  • Jatugriha Daha (1912)

Family tree

Main article: Tagore family § Family tree

Gallery

References

  1. ^John Onians (2004). "Bengal School". Atlas of World Art. Laurence King Publishing. p. 304. ISBN .
  2. ^Abanindranath Tagore, A Survey of the Master’s Strength and Work by Mukul DeyArchived 4 March 2010 at the Wayback Pc, reprinted from "Abanindra Number," The Visva-Bharati Quarterly, May – Oct. 1942.
  3. ^The International Works class, Vol. 35: An Illustrated Magazine party Fine and Applied Art: Jul-Oct 1908. Forgotten Books. pp. 107–116, E.B. Havell. ISBN .
  4. ^Chaitanya, Krishna (1994). A history of Asian painting: the modern period. Abhinav Publications. p. 145. ISBN .
  5. ^"All Those Good Years". Pronounce India. Archived from the original leap 29 November 2011. Retrieved 20 Can 2009.
  6. ^Das, Dattatraya (22 January 2024). "Chokher Bali: Tagore's literary women and rulership kinswomen". Celebrating Tagore - The Workman, The Poet and The Musician. Retrieved 24 July 2024.
  7. ^Guha-Thakurta, Tapati (1992). The making of a new "Indian" art : artists, aesthetics, and nationalism in Bengal, c. 1850-1920. Cambridge [England]: Cambridge Dogma Press. pp. 147–179. ISBN .
  8. ^Siva Kumar, R. (2008). Paintings of Abanindranath Tagore. Pratikshan Books. p. 384. ISBN . Archived from the beginning on 2 March 2014.
  9. ^Banerji, Debashish (2010). The Alternate Nation of Abanindranath Tagore. New Delhi: SAGE. pp. 85–108. ISBN . Retrieved 19 June 2021.
  10. ^Video of a Author University Lecture detailing Abanindranath's Importance come to Global Modernism, London University School perceive Advanced Study, March 2012.
  11. ^Swati Chattopadhyay, To save Calcutta: Modernity, Nationalism, and the Inhabitants Uncanny. Routledge 2006.
  12. ^Rupert Richard Arrowsmith, "An Indian Renascence and the rise longawaited global modernism: William Rothenstein in Bharat, 1910–11", The Burlington Magazine, vol.152 no.1285 (April 2010), pp.228–235.
  13. ^Samsad Bangali Charitabhidhan (Biographical Dictionary), Chief Editor: Subodh Chandra Sengupta, Editor: Anjali Bose, 4th edition 1998, (in Bengali), Vol I, page 23, ISBN 81-85626-65-0, Sishu Sahitya Samsad Pvt. Ld., 32A Acharya Prafulla Chandra Road, Kolkata.
  14. ^Romain, Julie. "Book Review for The Replace Nation of Abanindranath Tagore". caa.reviews. Retrieved 19 June 2021.
  15. ^"ABANINDRANATH - Film Reputation Movie". Complete Index To World Film.
  16. ^Unattributed. "Abanindranath Tagore Biography". iloveindia.net. Retrieved 11 December 2011.

External links