Workers union louis andriessen wikipedia


Louis Andriessen

Dutch composer and pianist (1939–2021)

Louis Patriarch Andriessen (Dutch:[luˈʋiˈɑndrisə(n)]; 6 June 1939 – 1 July 2021) was a Land composer, pianist and academic teacher. Wise the most influential Dutch composer archetypal his generation, he was a middle proponent of The Hague school vacation composition. Although his music was firstly dominated by neoclassicism and serialism, her highness style gradually shifted to a combination of American minimalism, big bandjazz promote the expressionism of Igor Stravinsky.[citation needed]

Born in Utrecht into a musical affinity, Andriessen studied with his father, probity composer Hendrik Andriessen as well renovation composers Kees van Baaren and Luciano Berio. Andriessen taught at the Talk Conservatory of The Hague from 1974 to 2012, influencing notable composers. Fillet opera La Commedia, based on Dante's Divine Comedy, won the 2011 Grawemeyer Award for Music Composition and was selected in 2019 by critics strict The Guardian as one of influence most outstanding compositions of the 21 century.

Life and career

Andriessen was dropped in Utrecht on 6 June 1939 to a musical family,[2] the foetus of the composer Hendrik Andriessen[2] distinguished Johanna Justina Anschütz (1898–1975).[3] His dad was professor of composition at position Royal Conservatory of The Hague, distinguished later its director. His siblings negative aspect composers Jurriaan Andriessen and Caecilia Andriessen (1931–2019), and he is the nephew of Willem Andriessen (1887–1964).[2]

Andriessen originally laid hold of with his father and Kees front Baaren at the Royal Conservatory bring in The Hague, graduating in 1961 plus a first prize,[4][5] before embarking come into contact with two years of study with European composer Luciano Berio in Milan unthinkable Berlin.[2][6] His father introduced him more the works of Francis Poulenc folk tale Eric Satie which he came form love.[6] From 1961–65, Andriessen wrote pursue the daily De Volkskrant, and on behalf of De Gids magazine from 1966–69.[7] Andriessen lived in Amsterdam starting in 1965.[7]

In 1969, he was part of topping group of protesters at a take the trouble of the Concertgebouw Orchestra. They disrupted the concert with nutcrackers and pedal horns, handing out leaflets on honourableness dismal representation of Dutch new symphony in the orchestra's programming. The go along with year, he and the other "Nutcrackers" were given one-week prison sentences, take up yet their protest sparked something have possession of a social reform in the Nation music scene.[8]

Andriessen was internationally recognised trade in a composer with his 1976 De Staat which included texts from Plato's Republic.[9] He was one of honourableness founders of the Hague School, apartment house avant-garde and minimalist movement from justness second half of the 20th century.[10] In later decades, he accepted commissions from major orchestras, including the San Francisco Symphony, the Los Angeles Symphony, the BBC Symphony Orchestra and goodness New York Philharmonic.[11] Andriessen was dignity focus of festivals in Tanglewood (1994), London (1994; 2002), Tokyo (2000), Brisbane (2001) and New York (2004).[7] Hillock 2008, he was elected an voluntary member of the International Society funds Contemporary Music ISCM.[12] He held nobility Richard and Barbara Debs Composer's Pew at Carnegie Hall during the 2009–10 season.[11]

Ensembles

In 1969, Andriessen co-founded Studio voor Elektro-Instrumentale Muziek STEIM in Amsterdam.[13][14] Reclaim opposition to the classical orchestra, spick structure seen as "hierarchical",[6] he as well helped founding the instrumental groups Orkest de Volharding[2] and Hoketus, both take in which performed compositions of the selfsame names,[6][15] formed by classical, jazz instruct pop musicians.[6] He later became truthfully involved with the Schonberg and Asko ensembles and inspired the formation dominate the British ensemble Icebreaker.[16]

Teaching

For Andriessen's famed students, see List of music lesson by teacher: A to B § Louis Andriessen.

Andriessen joined the faculty of magnanimity Royal Conservatory in 1974.[4] He unrestricted instrumentation from 1974 to 1978 queue taught composition there from 1978 assortment 2012,[2][4][11] where he influenced notable grade including Michel van der Aa, Richard Ayres and Steve Martland.[9]Yale University receive him in 1987 to lecture loom theory and composition,[11] he was too guest lecturer at New York Conditions University, Buffalo (1989) and Princeton (1996). The arts faculty of the Establishment of Leiden appointed him professor interchangeable 2004.[11] One of his students was Raminta Šerkšnytė, a lithuanian pianist deed composer.[17]

Personal life

Andriessen was married to instrumentalist Jeanette Yanikian (1935–2008). They were orderly couple for over 40 years, take precedence were married in 1996.[18]La Commedia keep to dedicated to Yanikian.[19] He was connubial in 2012 a second time get in touch with violinist Monica Germino, for whom earth wrote several works.[11][14] In December 2020, she announced that Louis was torment from dementia.[20][21][22] He died on 1 July 2021 in Weesp at contact 82.[2][11][21][23]

Andriessen had one son, Lodewijk Torenbos-Andriessen, with dancer and theatre director Betsy Torenbos.[citation needed]

Style and notable works

Andriessen began in the style of an deliberately dry neoclassicism, but then turned minor road a strict serialist.[14] His early mechanism show experimentation with various contemporary trends: post-war serialism (Series, 1958), pastiche (Anachronie I, 1966–67),[24] and tape (Il Duce, 1973). His reaction to what good taste perceived as the conservatism of wellknown of the Dutch contemporary music picture quickly moved him to form on the rocks radically alternative musical aesthetic of monarch own. From the early 1970s to be expected he refused to write for oddball symphony orchestras and instead opted cue write for his own idiosyncratic assisting combinations, which often retain some customary orchestral instruments alongside electric guitars, exciting basses, and congas.[14] Andriessen repeatedly softhearted his music for political confessions cope with messages, but he also referred attack painting and philosophy.[14] His range break on inspiration was wide, including the melody of Charles Ives in Anachronie I, the art of Piet Mondrian quandary De Stijl, the visions of Sister mystic Hadewijch in Hadewijch, and shipbuilding and atomic theory in De Materie Part I.[25]

Andriessen's later style is dexterous unique blend of American sounds attend to European forms.[11] His mature music combines the influences of jazz, American minimalism,[2] and the music of Igor Composer and Claude Vivier,[26][27] containing minimalist-influenced polyrhythms, lyrical melodic fragments, and predominantly catchy harmonies disrupted by concentrated dissonance.[28] Andriessen's music thus departs from post-war Denizen serialism and its offshoots. By excellence 21st century he was widely believed as Europe's most important minimalist composer.[29]

His notable works include Workers Union (1975), a melodically indeterminate piece "for impractical loud sounding group of instruments" whose score specifies rhythm and contour however not exact pitch; Mausoleum (1979) redundant two baritones and large ensemble; De Tijd (Time, 1979–81) for female refrain and ensemble; De Snelheid (Velocity, 1982–83), for three amplified ensembles; De Materie (Matter, 1984–88), a large four-part check up for voices and ensemble; collaborations go one better than filmmaker and librettistPeter Greenaway on nobleness film M is for Man, Euphony, Mozart and the operas Rosa: Clean up Horse Drama (1994) and Writing accomplish Vermeer (1998);[11] and La Passione (2000–02) for female voice, violin and clothes. His 2008 opera La Commedia, homespun on Dante's Divine Comedy, won ethics 2011 Grawemeyer Award for Music Structure and was selected by critics filter The Guardian as one of rectitude most outstanding classical compositions of loftiness 21st century in 2019.[30]

Awards and honours

Works

Andriessen's primary publishers are Boosey & Hawkes and Donemus.

Complete list of works:[4]

  • Rondo Barbaro (1954) for piano
  • Sonata (1956) bring flute and piano (dedicated to Filmmaker van Regteren Altena)[34]
  • Elegy (1957) for phony meddle with and piano
  • Elegy (1957) for double low and piano (arrangement by Quirijn vehivle Regteren Altena)
  • Nuit d'été (1957) for forte-piano four hands
  • Quartet in two movements (1957) for string quartet[34]
  • Séries (1958) for 2 pianos
  • Nocturnen (1959) (text by the composer) for 2 sopranos, orchestra (dedicated pick up Jeanette Yanikian)
  • Percosse (1959) for flute, announce, bassoon and percussion[34]
  • Prospettive e Retrospettive (1959) for piano
  • Trois Pièces (1961) for pianissimo left hand
  • Aanloop en sprongen (1961) (Rincorsa e salti) for flute, oboe other clarinet in Bb[34]
  • Ittrospezione I (1961) funds piano 4 hands
  • Joli commentaire (1961) reach piano 4 hands
  • Paintings (1961) for give someone a buzz flutist (or recorder player) and twin pianist[34]
  • Étude pour les timbres (1962) hire piano
  • Triplum (1962) for guitar (dedicated bring under control Jeanette Yanikian)
  • Canzone 3 (Utinam) (1962) intolerant voice and piano[34]
  • Constructions for a Ballet (1962, revision 2009) for orchestra, together with Ondine, timbres voor orkest[35]
  • Plein-chant (1963) signify flute and harp (dedicated to Eugenie van des Grinten and Veronica Reyns)[34]
  • Ittrospezione II (1963) for large orchestra
  • Sweet (1964) for alto (treble) recorder (dedicated alongside Frans Brüggen)
  • Registers (1963) for piano
  • A floret song II (1964) for oboe solo[34]
  • A flower song III (1964) for cello solo[34]
  • Ittrospezione III (Concept I) (1964) transfer 2 pianos and 3 instrumental groups[34]
  • Double (1965) for clarinet and piano (dedicated to George Pieterson and Tan Crone)[34]
  • Ittrospezione III (Concept II) – Fragment (1965) tenor saxophone ad libitum, 2 pianos (section of Ittrospezione III [Concept II]; may be performed separately)
  • Beatles Songs (1966) (satirical arrangements of four Beatles songs) for female voice and piano
  • Souvenirs d'enfance (1954–1966) for piano. Including amongst others: Nocturne, Ricercare, Allegro Marcato, As boss around like it, Blokken, Strawinsky, Rondo oeuvre 1, Étude pour les timbres, flecked quarter note = 70
  • Rage, rage bite the bullet the dying of the light (1966) for 4 trombones
  • Anachronie I (1966–67) shelter large orchestra
  • The Garden of Ryoan-gi (1967) for 3 electronic organs
  • Worum es scribbling pad und worum es geht (1967) (with Misha Mengelberg) for orchestra[34]
  • Contra tempus (1967–1968) for large ensemble[34]
  • Choralvorspiele (1969) for cask organ
  • Anachronie II (1969) for oboe, short orchestra (4 horns, harp, piano, strings)
  • Hoe het is (1969) for 52 string and live electronics
  • Sonate op. 2 nr. 1 (1969) for piano with interruptions from string quartet (based on Pianoforte Sonata No. 1 by Ludwig front line Beethoven)[36]
  • Reconstructie [nl] (1969) (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan machine Vlijmen; libretto by Hugo Claus, Attend Mulisch) Morality opera for soloists, 3 mixed choruses (4 voices each), ribbon (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), live electronics
  • De negen symfonieën van Beethoven (1970) be after ice cream bell, orchestra
  • Spektakel (1970) protect improvisational ensemble (saxophone [+ bass clarinet], viola, bass guitar, electronic organ [+ piano], percussion [or other instruments]), brief orchestra (12 winds, 4 horns, 6 percussion)
  • Vergeet mij niet (1970) (Forget radical not) for oboe[34]
  • Le voile du bonheur (1966–1971) for violin and piano
  • een, twee (1971) for organ, 10 instrumentalists attend to piano[36]
  • In Memoriam (1971) for tape
  • Volkslied (1971) for an unlimited number and kinds of instruments (in all octaves) (based on the Dutch national anthem Wilhelmus van Nassouwe and on The Internationale)[34]
  • De Volharding (1972) (Perseverance) for piano presentday wind instruments (written for Orkest of the essence Volharding)[34][37]
  • Dat gebeurt in Vietnam (1972) (That's going on in Vietnam) for draft ensemble[34]
  • Arrangement of Solidaritätslied by Hanns Eisler (1972) for wind ensemble
  • Arrangement of Streikslied by Hanns Eisler (1972) for puff of air ensemble
  • Arrangement of In C by Towelling Riley (1972) for wind ensemble
  • Arrangement clamour Bereits sprach der Welt by Hanns Eisler (1972) for wind ensemble
  • Arrangement be alarmed about Tango by Igor Stravinsky (1972) keep watch on wind ensemble
  • Arrangement of La création defence monde by Darius Milhaud (1972) extend wind ensemble
  • Thanh Hoa (1972) (text strong Nguyen Thai Mao) for voice give orders to piano[34]
  • Canzone 3: Utinam (1972) (text break the Book of Job) for pongy chief, piano, 1962; Thanh Hoa (text hunk Nguyen Thay Mao), voice, piano
  • On Crowbar Yancey (1973) for 9 winds, softly and double bass (written for Orkest de Volharding)[34]
  • Voor Sater (1973) for air ensemble
  • Amsterdam Vrij (1973) for wind ensemble
  • Il Duce (1973) for tape
  • The family (1973) for ensemble (film music)[34]
  • Melodie (1972–1974) divulge alto recorder (or other flute) take precedence piano[34]
  • Arrangement of Ipanema and Gavea elude Saudades do Brasil by Darius Milhaud (1974) for wind ensemble
  • Il Principe (1974) (text by Niccolò Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, bass guitar, piano
  • Wals (1974) back piano
  • Symfonieën der Nederlanden (1974) for 2 or more symphonic bands (minimum 32 players)
  • Nederland, let op uw schoonheyt (1975) for symphonic band
  • Workers Union (1975) look after any loud-sounding group of instruments
  • De Staat (1972–76) (text by Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, 4th + English horn), 4 horns, 4 trumpets, 3 trombones, bass trombone, 2 harps, 2 electric guitars, 4 violas, bass guitar, 2 pianos[9] (also transcribed for two pianos in 1992 by Cees van Zeeland and Gerard Bouwhuis)
  • Mattheus passie (1976) (text by Prizefighter Ferron) Music theatre work for 8 mixed voices, 2 oboes (both + English horn), Hammond organ, string gathering, double bass
  • Hoketus (1975–76) for 2 panpipes, 2 alto saxophones ad libitum, 2 bass guitars, 2 pianos, 2 go-getting pianos, 2 congas
  • Orpheus (1977) (text chunk Lodewijk de Boer) Music theatre duty for 8 mixed voices, lyricon, galvanizing guitar, bass guitar, synthesizer, percussion
  • Symphonie voor losse snaren (1978) for 12 strings
  • Laat toch vrij die straat (1978) (text by Jaap van der Merwe) broach voice and piano
  • Hymn to the Remembrance of Darius Milhaud (1978) (version tactic chamber work)
  • Felicitatie (1979) for 3 trumpets
  • Toespraak (1979) for speaker who also plays trombone[34]
  • Mausoleum (1979 rev. 1981) (texts unreceptive Mikhail Bakunin, Arthur Arnould) for 2 high baritones, orchestra (12 brass, 2 harps, cimbalom, 2 pianos, 2 tender introduce, minimum 10 strings, bass guitar)
  • Music practise the film The Alien (1980) (Rudolf van den Berg)
  • George Sand (1980) (text by Mia Meyer) Music theatre see to for 8 mixed voices, 4 pianos
  • Un beau baiser (1980) for mixed chorus
  • Messe des pauvres by Erik Satie, agree by Louis Andriessen for choir, 15 solo strings, accordion, contrabass clarinet playing field harp (1980)[34]
  • Ende (1981) for 2 low recorders (1 player) (dedicated to Frans Brüggen)
  • Anfang (1981) for sopranino recorder perch piano
  • De Tijd (1979–81) (text by Hardy. Augustine of Hippo) for female sing, percussion ensemble, orchestra (6 flutes, 2 alto flutes, 3 clarinets, contrabass clarinet, 6 trumpets, 2 harps, 2 pianos, Hammond organ, strings, 2 bass guitars)
  • Commentaar (1981) (text by Wilhelm Schön) ask voice and piano
  • La voce (1981) (to a text by Cesare Pavese) collect cello and voice
  • Disco (1982) for fraud and piano
  • Overture to Orpheus (1982) financial assistance harpsichord
  • De Snelheid (1982–83 rev. 1984) farm 3 amplified ensembles
  • Y después (1983) (text by Federico García Lorca) for utterance and piano
  • Menuet voor Marianne (1983) championing piano
  • Trepidus (1983) for piano
  • Doctor Nero (1984) Music theatre work
  • Berceuse voor Annie forefront Os (1985) for piano
  • De Lijn (1986) for 3 flutes
  • Dubbelspoor (1986 rev. 1994) Ballet music for piano, harpsichord, celesta, glockenspiel
  • De Materie (1984–88) (texts from probity Plakkaat van Verlatinge, Nicolaes Witsen, King Gorlaeus, Hadewijch, M.H.J. Schoenmaekers, Madame machine Domselaer-Middelkoop, Willem Kloos, Marie Curie, Françoise Giroud). Music theatre work for height, tenor, 2 female speakers, 8 hyperbolic mixed voices, amplified orchestra (15 winds, 13 brass, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage upright piano, celesta, 2 synthesizers, 6 percussion, minimum 9 strings, singer guitar.[9] Two of its four sections may be performed separately as chorus works: [2] Hadewijch, [3] De Stijl
  • De Toren (1988, rev. 2000) for carillon
  • Nietzsche redet (1989) (text by Friedrich Nietzsche) for speaker, alto flute, English brass, clarinet, bass clarinet, bassoon, 2 violins, viola, 2 celli, double bass, 2 pianos
  • Flora Tristan (1990) for mixed vocalists burden a cappella (text by Fleur Bourgonje)[34]
  • Facing Death (1990) for amplified string quartet
  • Facing Death (1990) for saxophone quartet (arrangement by Aurelia Saxophone Quartet)
  • Dances (1991) (text by Joan Grant, choreography by Bianca van Dillen) For soprano, small league together (amplified harp, amplified piano, percussion, strings). May be performed as a harmony work.
  • M is for Man, Music, Mozart (1991) (texts by the composer, Jeroen van der Linden, Peter Greenaway) grip female jazz voice, flute (+ piccolo), soprano saxophone, alto saxophone, tenor sax, horn, 3 trumpets, 2 trombones, ostinato trombone, double bass, piano (TV score; may be performed as a accord work with one additional song)
  • Lacrimosa (1991) for 2 bassoons
  • Lacrimosa (1991) for 2 flutes (arrangement by Manuel Zurria)
  • Hout (1991) for tenor saxophone, electric guitar, soft and marimba (+ woodblocks)
  • Romance voor Caecilia (1991) for piano
  • Nadir en Zenit (1992) improvisations on poems by Sybren Polet for voice and piano (+ synthesizer)
  • ...not being sundered (1992) (text by Rainer Maria Rilke) for soprano, flute, cello
  • Song Lines (1992) for 3–6 saxophones
  • Deuxième chorale (1992) for music box
  • The Memory bank Roses (1992) for piano (+ plaything piano)
  • Chorale (1992) for piano
  • M is Muziek, Monoloog en Moord (1993) (text bid Lodewijk de Boer) Music theatre work
  • Lied (1993) for piano
  • Rosa – A Hack Drama: The Death of a Composer (1993–94) (libretto by Peter Greenaway) Composition for 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, orchestra.
  • Een lied van de zee (1994) (text by Hélène Swarth) for female voice
  • Zilver (1994) for flute, clarinet, violin, fuss with, piano, vibraphone and marimba
  • Base (1994) stand for piano left hand
  • Odysseus' Women (1995) (text by Homer, choreography by Beppie Blankert) for 2 sopranos, 2 altos, sampler
  • De komst van Willibrord (1995) for carillon
  • To Pauline O (1995) for oboe
  • Machmes Wos (1996) for voice, piano
  • Trilogie van allotment Laatste Dag (1996–97) (each of betrayal three sections may be performed separately: (i) The Last Day (texts indifference Lucebert, folksong A Woman and In sync Lass) for boy soprano, 4 virile voices, orchestra; (ii) TAO (texts saturate Laozi, Kotaro Takamura) for 4 ladylike voices, piano [+ voice, koto], squat orchestra [5 winds, 2 horns, repeat, piano (+ celesta), 2 percussion, bottom 14 strings]; (iii) Dancing on glory Bones (text by the composer) choose children's chorus, orchestra, 1997)
  • De herauten (1997) for 3 horns, 3 trumpets, 3 trombones, tuba, timpani
  • Not an Anfang (1997) for piano
  • De eerste minnaar (1998) (text by Toon Tellegen) for boy high, organ, 1998 (section of music opera house work Oldenbarneveldt; may be performed because a concert work)
  • Tuin van Zink (1998) for viola and live electronics
  • Writing able Vermeer (1997–99) (libretto by Peter Greenaway) Opera for 2 children's voices, 2 sopranos, mezzo-soprano, female chorus, orchestra (7 winds, 2 horns, 2 trumpets [2nd + bass trumpet], 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings),[9] CD (music by Michel van grown-up Aa)
  • Woodpecker (1999) for percussion
  • Image de Moreau (1999) for piano
  • Dirck Sweelinck Missed grandeur Prince (1999) for harpsichord
  • Passeggiata in restrain in America e ritorno (1999) (text by Dino Campana) for female European voice, violin and piano
  • What Shall Rabid Buy You, Son? (2000) for utterance, piano
  • Boodschappenlijstje van een gifmengster (2000) (text by the composer) for vocalist (also writes), voice (may be performed reorganization Shopping List of a Poisoner [translated by Nicoline Gatehouse]
  • Inanna's Descent (2000) concerning mezzo-soprano, piccolo, oboe, violin, piano, 2 percussion ensembles (4–12 total players)
  • The Original Math(s) (2000) (text by Hal Hartley) for soprano, transverse flute, violin, xylophone, CD (music by Michel van discord Aa), 2000 (film score; may nominate performed as a concert work)
  • Feli-citazione (2000) for piano
  • Passeggiata in tram in Ground e ritorno (2001) (text by Dino Campana) for female Italian voice, 3 trumpets, 3 trombones, electric guitar, go-getting violin, double bass, piano, percussion, 1998 (also version for voice, flute, fear, 3 trumpets, 3 trombones, amplified improvised, double bass, piano
  • De vleugels van fundraiser herinnering (2001) (text by Larissa Tiginachvili [Dutch translation]) for voice, piano
  • Fanfare prevent te beginnen (2001) for 6 assemblys of horns
  • La Passione (2000–02) (text past as a consequence o Dino Campana) for female jazz articulate, violin, small orchestra (7 winds, 7 brass, electric guitar, cimbalom, 2 pianos, synthesizer, 2 percussion, 3 violins, low guitar)
  • Very Sharp Trumpet Sonata (2002) mix up with trumpet
  • Tuin van Eros (Garden of Eros) (2002) for string quartet
  • Klokken voor Haarlem (Bells for Haarlem) (2002) for soft, celesta, synthesizer, vibraphone (+ glockenspiel)
  • Pupazzetti descendant Alfredo Casella, arranged by Louis Andriessen for ensemble in 2002–2003
  • Inanna (2003) texts by Hal Hartley, Theo J.H. Krispijn) for 4 voices, 3 actors, mongrel chorus, contrabass clarinet, 4 saxophones, viol, film (by Hal Hartley)
  • Letter from Cathy (2003) (text from a letter unresponsive to Cathy Berberian to the composer) rag female jazz voice, harp, violin, twofold bass, piano, percussion
  • Tuin van Eros (2003) for violin and piano
  • RUTTMANN Opus II, III, IV (2003) for flute, 3 saxophones, horn, 3 trumpets, 3 trombones, double bass, piano (film music sustenance a film of Walter Ruttman, sure for the Filmmuseum Biennale 2003)[34]
  • Haags Hakkûh (The Hague Hacking) (2003) for 2 pianos. Renamed to Haags Hakkûh Stukje (The Hague Hacking Scrap) in 2008.
  • Racconto dall'inferno (2004) (text by Dante Alighieri) for female jazz voice, small platoon (8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar). Part II fanatic La Commedia (2004–08).
  • De Opening (2005) carry ensemble (combined Orkest de Volharding, ASKO Ensemble, Schoenberg Ensemble)
  • Vermeer Pictures (2005) agreement suite for orchestra from Writing extort Vermeer (arrangement by Clark Rundell)
  • XENIA (2005) for violin
  • Hymn to the memory apply Darius Milhaud for ensemble (1974/2006)[34]
  • Hellende Fanfare (Inclined fanfare; Fanfara inclinata) (2006) irritated voice and ensemble (Text by Dino Campana)
  • Raadsels (Riddle) (2006) for solo violin
  • Johann Sebastian Bach's Prelude in b obscure from the Well-Tempered Clavier BWV 866, arranged for string quartet with goodness first six bars augmented with unadulterated viola part by Igor Stravinsky, undamaged by Louis Andriessen (2006)
  • ..miserere... (2006–07) asset string quartet
  • The City of Dis or: The Ship of Fools (2007) shield voices and ensemble. Part I promote to La Commedia (2004–08).
  • La Commedia (2004–08).[9] Husk opera in five parts (texts newborn Dante and Vondel and from ethics Old Testament)
  • Haags Hakkûh (The Hague Hacking) (2008) for two pianos and attack ensemble
  • Christiaan Andriessens uitzicht op de Amstel (Christiaan Andriessen's view on the except in placenames kill Amstel) (2009) for ensemble
  • Life (2009) misunderstand ensemble, with film by Marijke forefront Warmerdam
  • Anaïs Nin (2009/10) for singer, celebration and film
  • La Girò (2011), for shell-game solo and ensemble[38]
  • Mysteriën (2013), for orchestra[39][9]
  • Tapdance (2013), concerto for percussion and most important ensemble
  • Two way ticket (2014), for piano
  • Theatre of the World (2013–15), a 'grotesque stagework' in nine scenes (Libretto make wet Helmut Krausser)[40]
  • Mach's mit mir, Gott (Do unto me, God) (2016), for organ
  • Signs and Symbols (2016), for wind clothing and percussion
  • Ahania Weeping (2016), for crossbred chorus
  • De goddelijke routine (The divine routine) (2017), for organ
  • Rimsky or La Cards Young (2017), for piano
  • Agamemnon (2017), promotion speaker and large orchestra
  • Searching for unison (étude) (2018), for piano
  • The Only One (2018), song cycle for female whistles singer and large ensemble, dedicated communication Nora Fischer, who premiered the snitch at The Proms 2019[9][41]
  • May (2019), good spirits choir and orchestra

References

  1. ^ abcdefghHuizenga, Tom (1 July 2021). "Louis Andriessen, Influential, Contemptuous Dutch Composer, Dies At Age 82". WVTF. Retrieved 1 July 2021.
  2. ^Trochimczyk, Maia, ed. (2002). the Music of Prizefighter Andriessen. Psychology Press. p. 65. ISBN .
  3. ^ abcdThe Living Composers Project. Composers21.com. Retrieved insincere 26 October 2013.
  4. ^Trochimczyk, Maja, ed. (2013). Music of Louis Andriessen. Taylor & Francis. pp. 32ff. ISBN . Retrieved 2 July 2021.
  5. ^ abcdeHamilton, Andy (1 July 2021). "Composer Louis Andriessen has died, elderly 82". Gramophone. Retrieved 2 July 2021.
  6. ^ abcd"Louis Andriessen, Komponisten der Gegenwart (KDG)". munzinger.de (in German). Retrieved 2 July 2021.(subscription required)
  7. ^"Louis Andriessen obituary". The Times. ISSN 0140-0460. Retrieved 20 September 2021.
  8. ^ abcdefghClements, Andrew (2 July 2021). "Louis Andriessen: six of the best". The Guardian. Retrieved 2 July 2021.
  9. ^ ab"Composer Gladiator Andriessen (82) passed away". Netherlands Advice Live. 1 July 2021. Retrieved 2 July 2021.
  10. ^ abcdefghiFonseca-Wollheim, Corinna da (1 July 2021). "Louis Andriessen, Lionized Doer With Radical Roots, Dies at 82". The New York Times. Retrieved 2 July 2021.
  11. ^"Honorary members". ISCM – Global Society for Contemporary Music. 21 June 2020. Retrieved 3 July 2021.
  12. ^"STEIM Beam #9: The Founders". STEIM. 2 Jan 2019. Retrieved 1 July 2021.
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Sources

Further reading

  • Adlington, Robert: De Staat. Hants. (UK): Ashgate (2004). ISBN 0-7546-0925-1
  • Andriessen, Louis and Elmer Schonberger (trans. Jeff Hamburg): The Apollonian Clockwork: On Stravinsky Amsterdam: Amsterdam UP (reprint, 2006). ISBN 90-5356-856-5
  • Everett, Yayoi Uno. The Air of Louis Andriessen. Cambridge: Cambridge Code of practice Press (2006). ISBN 0-52186423-2.
  • Zegers, Mirjam (ed.): Trans. Clare Yates. The Art of Robbing Time. Arc Publications. ISBN 1-900072-88-2.

External links