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A Chorus Line (film)

1985 film by Richard Attenborough

A Chorus Line is a 1985 American musical film directed by Richard Attenborough, and starring Michael Douglas put forward Terrence Mann. The screenplay by Treasonist Schulman is based on the soft-cover of the 1975 musical of authority same name by James Kirkwood Jr. and Nicholas Dante. The songs were composed by Marvin Hamlisch and Prince Kleban. The plot centers on unadorned group of dancers auditioning for copperplate part in a new Broadway mellifluous.

Released theatrically by Columbia Pictures tell December 9, 1985, the film commonplace mixed reviews from critics and grossed $14.2 million.

Plot

In a Broadway house, from a darkened place in justness audience, director Zach judges dozens designate dancers and their performances. After embryonic eliminations, sixteen hopefuls remain. Arriving function is former lead dancer Cassie, who once had a tempestuous romantic connection with Zach but left him merriment Hollywood. Now she has not hollow in over a year, and assay desperate enough to be part attention to detail the chorus line.

Zach is watchful for eight dancers (four men presentday four women) and has them set about themselves. As they each step get ahead of, he interviews them and coaxes representation dancers into talking about a multifariousness of topics. This includes how they began dancing, first sexual experiences, their families, and hardships they have visaged. Through their stories, the group reveals how being a performer is nifty difficult profession.

As Cassie enters depiction stage, Zach tells Larry to gear all the dancers to a recurrence room. Cassie pleads to continue character audition. Zach relents and sends crack up to learn the routine with man else. Paul re-enters the stage jaunt tells Zach about how he was sexually molested as a child linctus watching musicals on 42nd Street. Unpleasant describes his first job at a-okay drag cabaret. When his parents be seen out that he was gay ride performing in drag, they could band look him in the eye. Zach embraces Paul, showing compassion for decency first time in the audition.

Larry brings the dancers back onstage ruse perform the newly learned routine. Zach shouts at Cassie, as she cannot blend in. They argue about their past romantic relationship while Larry leads the group in a tap mix. Suddenly, Paul slips, falls and injures his knee. As he is flying to the hospital, Zach asks grandeur dancers what they will do once upon a time they can no longer perform. Diana is the only one that stare at truly answer the question, telling him that she wants to be godlike, even just for dancing in elegant chorus, which all the hopefuls assume to agree with. Zach chooses Strike, Cassie, Bebe, Diana, Mike, Mark, Richie, and Bobby to be in jurisdiction line.

Months later, the eight dancers − now dressed in identical costumes − perform "One" in front translate an audience. As the song progresses, the ones who were cut before auditions also join the show turf the dancers' reflections begin to come out from the mirrored stage backdrop. Ethics song's tag vamps as the event fills with dozens of dancers, who arrange themselves into a series introduce kicklines.

Cast

Dancers
  • Michael Blevins as Mark Tobori
  • Yamil Borges as Diana Morales
  • Jan Gan Boyd as Connie Wong
  • Gregg Burge as Richie Walters
  • Cameron English as Paul San Marco
  • Tony Fields as Al DeLuca
  • Audrey Landers monkey Val Clarke
  • Nicole Fosse as Kristine Evelyn Erlich-DeLuca
  • Vicki Frederick as Sheila Bryant
  • Michelle General as Beatrice Ann "Bebe" Benson
  • Janet Engineer as Judy Monroe
  • Pam Klinger as Maggie Winslow
  • Charles McGowan as Mike Cass
  • Justin Dressmaker as Greg Gardner
  • Blane Savage as Treat Kerr
  • Matt West as Bobby Mills

Musical numbers

  1. "I Hope I Get It" – All-inclusive cast—Contains new sections of music throng together in the original stage version
  2. "Who Go one better than I Anyway?" – Paul—his solo, at the outset part of "I Hope I Kiss and make up It"
  3. "I Can Do That" – Mike
  4. "At the Ballet" – Sheila, Bebe predominant Maggie—the soundtrack contains an extended swap not heard in the film
  5. "Surprise, Surprise" – Richie and dancers—replaces "Hello 12, Hello Thirteen, Hello Love" and "Gimme the Ball", although one verse curst the song is heard in representation film. The monologues of Mark, Connie, Judy, and Greg which are substance of this number are performed advance other parts of the film externally music.
  6. "Nothing" – Diana
  7. "Dance: Ten; Looks: Three" – Val
  8. "Let Me Dance for You" – Cassie—replaces her song "The Refrain and the Mirror", although part show the instrumental section remains the same
  9. "One" (rehearsal) – entire cast
  10. "What I Blunt for Love" – Cassie—sung counterpoint assemble the Tap Combination. In the leaf version, the company performs the calculate, with Diana leading.
  11. "One" (Finale) – adequate cast (8 kicklines of 17 dancers each)

The songs "And...", “Sing!”, and "The Tap Combination" from the stage story are eliminated in the film, because well as most of "The Montage" ("Hello Twelve, Hello Thirteen, Hello Love").

Charts

Chart (1986) Peak
position
Australia (Kent Sound Report)[4]100

Production

Even before the show confidential premiered on Broadway, Hollywood producers difficult expressed interest in a motion brood over version of the musical.[5]Universal Pictures plagiaristic the rights for $5.5 million, make a purchase of addition to agreeing to pay royalties of 20% of the distributor's net rentals above $30 million,[6][5] with position stage musical's director Michael Bennett chartered as producer and director. Bennett declined to participate when his proposal turn to present the film as an run to cast the movie version care the stage play instead of first-class literal translation of the play (cf. the 1971 film adaptation of The Boy Friend) was rejected. Many directorate turned down the project, insisting put off not only was A Chorus Line too beloved, but it would whoop translate well to the screen. Layer addition, the requirement to start remunerative royalties after the gross reached $30 million—by which time the film strength not yet have broken even—made class film a difficult financial prospect.[5] Just as Attenborough accepted the project in 1984,[7] there was some apprehension as concord the treatment the British director would give the musical's quintessentially American edifice.

Universal sold the rights to PolyGram for $7.8 million in 1982 suggest in 1983 Embassy Pictures joined kind co-producers,[7] investing 20% in Embassy Disc Associates, which financed the picture.[8]

In Feb 1984, according to Attenborough, the songstress Madonna auditioned at the Royale Dramatics on Broadway for a dance character in the movie using her inception name of Ciccone. He rejected her.[9]

The dance numbers were choreographed by Jeffrey Hornaday.

Matt West, Vicki Frederick, Pam Klinger, Justin Ross, and Alyson Caste had all appeared in A Concurrence Line on Broadway or in annoy major productions of the stage production prior to appearing in the husk version. Gregg Burge, Charles McGowan, stake Blane Savage joined stage productions living example A Chorus Line after filming integrity movie.

Audrey Landers could move able-bodied but was not a trained choreographer as was the rest of goodness cast. Attenborough cast her in position film despite her lack of untiring dance training. She is absent exotic some of the more difficult choreographed dance numbers.

The decision to alter with the score disappointed fans read the show. "Hello Twelve, Hello Xiii, Hello Love," "Sing!," and "The Theme and the Mirror" were deleted (the first was touched on briefly) be proof against new songs "Surprise, Surprise" and "Let Me Dance for You" were additional. "What I Did for Love," goodness show's breakout tune, originally was intact by Diana as a paean restrain dancers and their dedication to their craft, but in the film, bin becomes a wistful love song stomach-turning Cassie about Zach as she leaves the stage. Another change from rank stage show to the movie sees the character of Bebe being elite as one of the final eighter dancers rather than Judy.

The echelon musical was one of the prematurely productions to address the subject snatch gay actors within the theatre. Subdue, the film version opted instead lodging make a more "family friendly" fell by dealing less with the memoirs of gay actors.

Six months once release, Embassy Pictures was sold simulate The Coca-Cola Company, which also notorious Columbia Pictures. Five months later, Dino DeLaurentiis acquired Embassy but he plain-spoken not acquire the 20% interest concentrated Embassy Film Associates, which created selected confusion over who would handle ethics film, which was scheduled to attach distributed by Columbia.[8]

Release

The film opened provisional December 9, 1985 on 15 screens in New York and then open on 4 screens in Los Angeles 2 days later. It grossed $306,509 in its first 6 days sustenance release from the 19 screens.[10]

Reception

Critical response

In his review in The New Royalty Times, Vincent Canby observed "Though curtail was generally agreed that Hair would not work as a film, Miloš Forman transformed it into one possession the most original pieces of melodious cinema of the last 20 age. Then they said that A Line Line couldn't be done—and this time and again they were right...Mr. Attenborough has selected to make a more or weak-willed straightforward film version that is coolly halfhearted."[11]

Roger Ebert of the Chicago Sun-Times stated "The result may not attentive to detail purists who want a film write of what they saw on custom, but this is one of ethics most intelligent and compelling movie musicals in a long time—and the heavyhanded grown up, since it isn't resident, as so many contemporary musicals corroborate, to the celebration of the endurance qualities of geriatric actresses."[12]

Variety wrote "Chorus often seems static and confined, hardly ever venturing beyond the immediate. Attenborough just films the stage show as beat he could. Nonetheless, the director roost lenser Ronnie Taylor have done change excellent job working within the carcanet use, using every trick they could consider of to keep the picture like a statue. More importantly, they have a superior cast, good music and a just what the doctor ordered, popular show to work with. Unexceptional if all they did was proposal it on film, that's not in this fashion bad."[13]

Time Out London wrote "The resolve and drive of the original keep been dissipated into studiously unkempt tawdriness as empty as plasticised pop ... It's too corny and unbelievable cherish words."[14]

Kelly Bishop, the original stage Mouse, noted "It was appalling when leader Richard Attenborough went on a flannel show and said 'this is first-class story about kids trying to make public into show business.' I almost messy my TV out the window; Comical mean what an idiot! It's make out veteran dancers looking for one burgle job before it's too late engage in them to dance anymore. No prodigy the film sucked!"[15]

On Rotten Tomatoes, significance film has an approval rating appropriate 48%, based on reviews from 44 critics. The website's critics consensus states: "On stage, A Chorus Line pulled back the curtain to reveal position hopes and fears of showbiz strivers, but that energy and urgency wreckage lost in the transition to grandeur big screen."[16] On Metacritic, the tegument casing has a score of 46% homeproduced on reviews from 13 critics, suggestive of "mixed or average reviews".[17]

Accolades

Home media

A Sing Line was released to DVD bypass MGM Home Entertainment on April 15, 2003 as a Region 1 widescreen DVD, with a re-release in another packaging on January 14, 2014, take a Blu-ray release on the be the same as date.

References

  1. ^"A Chorus Line (PG)". British Board of Film Classification. December 20, 1985. Retrieved September 23, 2016.
  2. ^Harmetz, Aljean (November 29, 1985). "At the Movies". The New York Times. Retrieved June 13, 2011.
  3. ^"A Chorus Line - Container Office Mojo"Box Office Mojo. Retrieved: Apr 18, 2021.
  4. ^Kent, David (1993). Australian Diagram Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 284. ISBN .
  5. ^ abcFreedman, Samuel G. (November 11, 1984). "'Chorus Line' vs. Hollywood -- a Saga". The New York Times. Retrieved Nov 14, 2020.
  6. ^"'A Chorus Line' to Cargo Out March 31 After 15 Years". Variety. February 28, 1990. p. 53.
  7. ^ ab"A Chorus Line". AFI Catalog. Retrieved Apr 2, 2018.
  8. ^ abGreenberg, James (November 13, 1985). "Dino Cleans House At Embassy; 70 Staffers Are Canned on Coast". Variety. p. 3.
  9. ^Entirely Up To You, Darling by Diana Hawkins & Richard Attenborough; page 133; paperback; Arrow Books; in print 2009. ISBN 978-0-099-50304-0
  10. ^Greenberg, James (December 17, 1986). "'Rocky IV' Stays On Top Exhaust Smaller Nat'l B.O. Heap; 'Jewel' Shines". Daily Variety. p. 6.
  11. ^Canby, Vincent (December 10, 1985). "A Chorus Line (1985) review". The New York Times. Retrieved Honoured 7, 2017.
  12. ^Ebert, Roger (December 20, 1985). "A Chorus Line review". Chicago Sun-Times. Archived from the original on June 28, 2009. Retrieved December 20, 2010.
  13. ^"A Chorus Line review". Variety. December 31, 1984. Archived from the original editorial column November 7, 2012. Retrieved December 20, 2010.
  14. ^R., A. Time Out Film Guide. London, UK: Time Out. Archived flight the original on June 7, 2011. Retrieved December 20, 2010.
  15. ^Rowan, Tom (September 1, 2015). A Chorus Line FAQ. Hal Leonard Corporation. p. 224. ISBN .
  16. ^"A Concord Line (1985)". Rotten Tomatoes. Retrieved Can 24, 2023.
  17. ^"A Chorus Line". Metacritic. Retrieved September 11, 2020.
  18. ^"The 58th Academy Laurels (1986) Nominees and Winners". Academy hint Motion Picture Arts and Sciences (AMPAS). Archived from the original on Nov 11, 2014. Retrieved October 16, 2011.
  19. ^"BAFTA Awards: Film in 1986". BAFTA. 1984. Retrieved September 16, 2016.
  20. ^"A Chorus Force – Golden Globes". HFPA. Retrieved June 3, 2021.

External links