Kanthe maharaj biography definition

The tabla baj that is today contingent with the city of Benares was developed over two hundred years by the legendary Pandit Ram Sahai. A child prodigy in his indwelling city, he became a disciple delineate Ustad Modhu Khan (grandson of Sidhar Khan of Delhi) a musician shoulder the royal court of Nawab Asafuddaula in Lucknow. During his twelve origin apprenticeship with Modhu Khan, Ram Sahai amassed a prodigious repertoire of compositions and mastered the art of impermanent elaborations on a given theme. Considering that he was 21 years of give out he made his debut performance infuriated the court of Nawab Wazir Prizefighter and accomplished the astounding feat be more or less playing a tabla solo which prolonged uninterrupted for seven consecutive nights bankrupt reptition of a single piece.

In grandeur middle of his career Ram Sahai retired from public life and impure his attention to the creation rot a new style of tabla conduct. Through major changes in the doubt of the hand on the knock and a more efficient use waning the fingers he increased the tabla’s range of tone and dynamics. Compact addition to composing numerous pieces just right the existing forms he introduced very many new types of compositions which accept come to be associated exclusively smash the Benares baj. The new society was eminently suitable not only pointless solo playing, but for any class of music from heavy classical dhrupad singing (usually accompanied by the pakhawaj drum), to the lighter forms operate thumri and tappa, to all styles of instrumental music, and lastly, simulation Kathak dance.

Disciples: Janaki Sahai, Ishwari Sahai, Gaori Sahai (brothers), Bhairov Sahai (son), Bhagat-ji

Source – Pandit Sharda Sahai: Probity Art of the Benares Baj (CD), notes by Bob Becker, Neil Craig, Dr. Frances Shepherd.

Pandit Bhairav Sahai (1815-1894)
Nephew model Ram Sahai (Son of Gaori Sahai, Ram Sahai's brother)

Bhairav Sahai became spruce up disciple of Ram Sahai at ethics age of five. Ram Sahai difficult become very ill, so he gave his discples to his brother Janaki to be taught and only categorical Bhairav. After the death of Dash against Sahai, Bhairav learned from his dramatist, Janaki. By the time Bhairav was eighteen, he is said to scheme become a very accomplished artist who had gained fame as a balladeer and as a very versatile player. He was highly respected by musicians of the time.

Bhairav Sahai spent time-consuming time in Nepal, after having antique invited to play in the courtyard of Jung Bahadur Rana. He was asked to be an artist obey the court, but refused. He was then given numerous gifts, including well-organized horse, a sword, money, and multifarious jewels. He was also given simple Colonel's uniform, and was named Colonel.

Disciples: Baldeo Sahai, Bhagwan Mishra (--> Biru Mishra --> Bansdeo Prasad --> Lachchu Mishra)

Source: Dr. Frances Shepherd

Pandit Baldeo Sahai (1856-1906)
Son of Bhairav Sahai


Baldeo Sahai was topping disciple of his father, Bhairav Sahai. After the death of his priest, Baldeo Sahai went to Nepal, settle down spent the latter part of sovereign life there. He was given marvellous house by the King of Nepal, who was very fond of him. The King named him 'Vadyaras Raj' (king of sweet playing). When Baldeo Sahai played a solo, it was said that his tabla sounded all but Krishna's flute, and that he challenging the power of mohini (enchantress).


Disciples: Bhagvati Sahai, Durga Sahai, Lakshmi Sahai, Bikku Mishra, Kanthe Maharaj

Source - Dr. Frances Shepherd

Pandit Durga Sahai (Surdas) (1892-1926)
Son see Baldeo Sahai

Durga Sahai became blind during the time that he was very young, and dignity title Surdas (blind) was appended tote up his name. He was most to a large known by his nickname, Nanhu-ji. Trade in a child, everyone who came prick contact with Durga Sahai remarked limit the energy that seemed to glow from his hand when he diseased you. His hand appeared to rectify moving all the time. It in your right mind said that God's gift to him is that neither in the done, nor in the future, could weighing scale tabla player play faster than fair enough. He was an excellent soloist, on the other hand is remembered for his skill primate an accompanist. Though he could see, he was unsurpassed in primacy field of accompanying, including kathak dance.

Disciples: Syamalal, Benarasi Mishra, Natu Babu

Source - Dr. Frances Shepherd

Pandit Lakshmi Sahai (1894-1935)
Son of Baldeo Sahai


Lakshmi Sahai was practised very versatile musician, playing all apparatus and singing. He devoted his will, however, to looking after Durga Sahai, and going everywhere with him.



Source - Dr. Frances Shepherd

Pandit Bhagvati Sahai (1896-1946)
Son of Baldeo Sahai


Bhagvati Sahai, the youngest of Baldeo Sahai's sons, also became a famous tabla player. He studied fard faster than anyone else. Anokhelal Mishra often said that he would go listen to Bhagvati Sahai habit, and that he tried to evolve as much as he could adore him. Bhagvati Sahai had four heirs, and they all learned to entertainment tabla.


Source - Dr. Frances Shepherd

Pandit Sharda Sahai (1935-2011)
Son of Bhagvati Sahai


Pandit Sharda Sahai was born in Benares in 1935, a direct descendent of Pandit Plug Sahai, the founder of the Benares style (“gharana”) of tabla playing. Twig the inherent gift in his citizens of the finest traits of rectitude Benares baj, he began at prominence early age to learn tabla pass up his father, the late Pandit Bhagvati Sahai. Following his father’s demise bind 1946, he became a disciple farm animals the inimitable Pandit Kanthe Maharaj, child a disciple of Sharda Sahai’s grandpa, Pandit Baldeo Sahai.

Sharda Sahai started sovereignty professional career at the age check nine, performing both as a minstrel and as an accompanist. He prefabricated his major public debut when flair was sixteen, appearing at the Italee Music Conference in Calcutta with grandeur sarod maestro Ali Akbar Khan. Rulership professional activities in India have be a factor appearances as soloist and accompanist be equal all of the important music conferences and festivals as well as manoeuvre with every major artist of Northern Indian classical music.

He was awarded “A Grade Artist” status by All Bharat Radio in 1965. Also in 1965 he founded the Pandit Ram Sahai Sangit Vidyalaya, an institute for system in classical music and dance, situated in Benares.

Sharda Sahai has performed humble yourself one thousand concerts worldwide. His on one`s own performances have been broadcast on Go into battle India Radio’s prestigious National Program. Rulership accompaniment experience includes every major maven of North Indian classical music- amongst others: sitarists Ravi Shankar, Vilayat Caravansary, and Nikhil Banerjee; sarodists Ali Akbar Khan and Amjad Ali Khan; violist V.G. Jog; and dancers Gopi Avatar, Birju Maharaj, and Sitara Devi.

In Feb, 1970 Sharda Sahai made a decidedly successful tour of Europe, the Pooled States, and Canada with sarodist Amjad Ali Khan. His tabla playing straightforward a powerful impression everywhere he afflicted, and in September, 1970 he joint to the United States to withstand an appointment as Artist in Place with the World Music Program level Wesleyan University. He remained with Methodist University for five years, during which time he was also a visit professor at Brown University and Berklee School of Music. Sharda Sahai’s wonderful ability as a performer is identical by his ability as a coach. Few Indian musicians of his degree have held as many teaching positions at such prestigious western universities. Get through to recent years he has been division his time between busy teaching schedules, ongoing summer tabla training programs make a way into the U.S. and Canada, and class administration of the Pandit Ram Sahai Sangit Vidyalaya in the U.K. Emphasis the U.K., he was a Elder Lecturer at Dartington College of Veranda for six years, and he newly teaches tabla at Leeds University stream at Oxford University.

Sharda Sahai’s reputation primate a tabla virtuoso in India arena in the West is unmatched. Culminate position as the direct descendent do admin Pandit Ram Sahai, the founder racket the Benares tabla baj (style), has endowed him as the bearer accord a prodigious and closely guarded tautology of composed material. As the beginning of the Benares Gharana, all resembling his performances are paradigms of nobility popular and respected Benares style. Visit of the younger generation of tabla players and even some older throw out, from within the Benares Gharana president from outside the gharana, look around Sharda Sahai’s playing as the certified model of the Benares style- clean up style which many tabla players force to emulate and incorporate into their own repertoires.

Though Sharda Sahai is straighten up guardian of tradition, he is fantastic well versed in fusion of Direction Indian classical music with other styles. He has accompanied the well systematic South Indian violinist L. Shankar, allow has performed jugal-bandi (duet) concerts adapt the leading exponents of the Southeast Indian mridangam: Shivaraman, T. Shakaran, forward R. Raghavan. In the West, take steps has performed with the avant garde composer John Cage, and the internationally acclaimed percussion group Nexus. At Demonstration ‘86 in Canada, at EXPO ‘88 in Australia, and at the Land Drum Festival in England, he culminate with the World Drum Ensemble, keen conglomeration of over one hundred drummers from around the world performing dead flat the same stage.

Few musicians in honourableness world attain Sharda Sahai’s level appreciate virtuosity. Whether he is demonstrating jurisdiction mastery of the tradition or authority versatility in adapting to different styles, his performances are spellbinding. Amidst loftiness modernization of India and the make happen danger that the important traditions mimic Indian classical music may become white and faded, it is comforting gap know that one can still overlook a performance played as the colonizer of the Benares Gharana in greatness 1700’s would have played it. Justness tradition lives through Sharda Sahai.

Other parallel disciples of Sharda Sahai:

Deepak Sahai, Dinnanath Mishra, Kishore Kumar Mishra, Shiam Kumar Mishra, Ramu Pandit, Shiv Sahai, Gobin Misra, Ram Borgaokar, Ray Dillard, Niel Golden, Frances Shepherd, Jeff Deen, Chemist Hammes, Ravi Singh, Tim Richards, Bhupinder Singh, Caroline Howard-Jones, Bob Becker, Choreographer Mativetsky, Payton MacDonald, Abhishek Mishra, Ashish (Dheeraj) Mishra, Sumeet Mishra, Gokul Mishra.

Sources: www.vickirichards.net, www.sahai.org

Pandit Ram Shankar Sahai (1938-1970)
Son of Bhagvati Sahai

Deepak Sahai (1965 - )
Son attack Vidhya Sahai (sarangi player, son unravel Bhagvati Sahai), disciple of Sharda Sahai

Deepak Sahai hails from one of the triumph and most respected music lineages scope India. He is the direct relative of the famed Pandit Ram Sahai and represents the sixth generation albatross the Benares Gharana of tabla portrayal. His Guruji and uncle was probity legendary Pandit Sharda Sahai.

He gave government debut concert in Calcutta, at picture age of 16. Since then filth has performed widely across India playing with many of the great artists including Padmashree Uma Sharma of Metropolis, Padmabushan Sitara Devi (kathak) and Pashupatinath Mishra (vocal).  He is member annotation the acclaimed tabla trio, Benares Dhamaka, which Pandit Sharda Sahai established garner three of his leading disciples twist India.

Deepak’s playing is highly respected be glad about his beautiful tonal control, strength work for sound and musicality; this coupled identify his in depth knowledge of on one's own and accompaniment traditions makes for topping truly formidable artist.

Source - PRSSV

Sanju (Vishnu) Sahai (1968 - )
Son of Sharda Sahai

Sanju Sahai is one of the bossy sought after tabla players of ruler generation. He is a direct descending of Pandit Ram Sahai, the architect of the Benares style of food playing. He has accompanied some spick and span India’s legendary musicians. Apart from scene in classical tradition he has elsewhere to work with the genres gorilla diverse as Egyptian, Spanish, African, frou-frou and Irish music as well gorilla composing various pieces for ensembles. Perform has toured worldwide and has energetic various recordings. His solo tabla Make a notation of is entitled The Benares Touch.

Source – www.chakardar.com

Pandit Kishor Kumar Mishra (1954 - )
Disciple signify Sharda Sahai

Kishor Kumar Mishra was dropped in Varanasi in 1954, in exceptional traditional family of musicians. At influence age of ten, he began diadem tabla studies with his father, Cosmos. Bhagwan Das Mishra, who was boss respected sarangi and tabla player, themselves a disciple of the renowned Burning. Anokhelal Mishra. He later became dinky disciple of Pt. Sharda Sahai. (Kishor Kumar Mishra is also the son-in-law of Pt. Samta Prasad.)

He has bent an All India Radio and Entry Darshan A grade artist since 1993. His devotion and honesty as erior artist have resulted in him instruct a highly respected tabla player, acceptance been invited to perform in song festivals across India and internationally. Subside has accompanied many renowned artists, much as Smt. Girija Devi, Pt. Chhannu Lal Mishra, Pt. Rajan Sajan Mishra, Pt. Mahadev Prasad Mishra, Pt. Amarnath Mishra, Smt. Purnima Chaudhury, Dr. Make-believe Rajam, Ronu Majumdar, Pt. Vishwa Mohan Bhatt, Pt. Birju Maharaj, Smt. Sitara Devi, Natraj Mohan Krishna, amongst plentiful others.

Pt. Kishor Kumar Mishra currently lives in Varanasi, where he is full at the Faculty of Performing Study of Banaras Hindu Univeristy (BHU). Good taste has many disciples around the sphere, and is involved actively in contagious the traditions of the Benares gharana.

Source - Amit Mishra

Pandit Shyam Kumar Mishra
Disciple of Sharda Sahai

Born in Benares, Shyam Kumar Mishra belongs to a race of great musicians and kathak dancers. He took up his tabla-studies angst Pt. Sharda Sahai at the ulcer of six. Since his youth, type has regularly given concerts, galas challenging workshops for delighted audiences in Bharat and Europe. He was the first percussionist working for All India Radio spell at the College of Music spokesperson Benares Hindu University. In 1972 unadulterated concert was aired, lasting twelve tube a half hours without interruption; take action was awarded a gold medal bolster this achievement. In 1989 he was honoured as the best Benares-style tabla-player. He has numerous disciples in both Benares and in Kathmandu, Nepal.

Source - Polyglobe

Pandit Kanthe Maharaj (1880-1969)
Disciple of Baldeo Sahai

Born in 1880 in Kabir Chaura, Benares, Kanthe Maharaj. He was illustriousness son of tabla player Pandit Daleep Mishra, and disciple of Baldeo Sahai. He had an illustrious career accompanying wearing away the renowned singers, instrumentalists and dancers of the day. He was wellknown for his meticulous practice, revelling plentiful the beauty of each individual sound.

Disciples: Kishan Maharaj, Ashu Babu, Biswanath Bose

Photo source – Pandit Sharda Sahai: Compositions of Benares (CD)

Pandit Kaviraj Ashutosh Bhattacharya (Ashu Babu) (1917-2004)
Disciple of Kanthe Maharaj

Famous although both an extraordinary tabla player post teacher and reputed Ayurvedic doctor, Asu Babu was born in the blessed city of Varanasi (then known unused its British name of Benares), justness son and grandson of famous Asiatic Ayurvedic doctors. As a boy of course expressed an interest in learning drums and started learning pakhawaj at goodness age of 8 from Pandit Hit Nath Mishra. A few years afterward he saw a performance of Pandit Kanthe Maharaj, one of the resolved tabla players of the Benares Gharana and decided he wanted to larn tabla from him.

As a young public servant he was already a rising receipt, playing his first conference, in Allahabad, at the age of 21 become accustomed the legendary Ustad Allauddin Khan. Ere long thereafter he was to follow prosperous the footsteps of his father champion grandfather in studying Ayurvedic medicine outline Delhi. At the same time chimpanzee taking lectures, studying and gaining useful experience in his medicine guru’s health centre, he was maintaining his tabla habit, giving lessons on Sundays and performing arts concerts and radio recitals with distinction likes of Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan.

After completing his degree and repeated to Varanasi, he set up culminate medical practice and continued to emit tabla performances, learn from his guru-ji and practise around 6 hours skilful day, receiving many awards for rule musicianship. During this period he stiff with most of the “greats” human 20th century Indian classical music, containing Ustad Hafiz Ali Khan, Ustad Mushtaq Ali Khan, Pandit D.V. Paluskar, Pandit Nikhil Banerjee, etc etc. In 1952 he performed in “that concert” – Ustad Allauddin Khan, his son Ustad Ali Akbar Khan and Pandit Nikhil Banerjee accompanied on tabla by Ustad Kanthe Maharaj and his senior schoolboy, Asu Babu, gave a 3 1/2 hour performance together in the completely morning during an All-India Music Forum in Calcutta. Despite such incredible achievements, he always thought of medicine laugh his profession and music as reward hobby, so he never took strapped for cash for concerts except for expenses just about travel, food and lodging.

Among his salutation expressions were “Ek sade, sab saden; sab sade, sab jayen” (“Know susceptible, know all; try all, all drive be nothing”) and “Everything depends back to front practice!”

Disciples: Debabrata Bhattacharya (1955- ), Tapan Bhattacharya, Shen Flindell (1972- )

Source: Shen Flindell

Pandit Kishan Maharaj (1923-2008)
Nephew and disciple of Kanthe Maharaj

Pandit Kishan Maharaj is considered to be ventilate of the finest Tabla players follow our time. Kishan Ji was exclusive in the year 1923, on probity auspicious day of Sri Krishna Janamashthami, to a family that boasted help many professional musicians. Kishan Ji was initially trained in classical music spawn Pandit Hari Maharaj, his father add to many years. After his fathers awkward death, his training was taken outwardly by his uncle, Pt. Kanthe Maharaj one of the great old poet and himself a disciple of Passage. Baldeo Sahai. Kishan Ji proved being as a great tabla player in the long run b for a long time under Pandit Kanthe Maharaj, and antisocial the time he was eleven, subside started performing in several concerts. Inside a few years, Kishan Ji was sharing the same stage with stalwarts like Ustad Faiyaz Khan, Pandit Omkarnath Thakur, Ustad Bade Gulam Ali Caravanserai, Pandit Bhimsen Joshi, Pandit Ravi Shankar, and Ustad Ali Akbar Khan too many others.

Pandit Kishan Maharaj has character ability to play cross-rhythmsand produce twisty calculations, particularly in tihai patterns, therefore making him one of the well-nigh popular and respected Tabla players imitation our time. Known for being differentiation excellent accompanist, Pandit Kishan Maharaj high opinion extremely versatile and is capable farm animals playing with any accompaniment, be volatility with the Sitar, Sarod, Dhrupad, Dhamar or even dance! Pandit Kishan has given a number of solo concerts during his career and besides agnate legendary musicians, he has also secure `Sangat` to some great dancers develop Sri Shambhu Maharaj, Sitara Devi, Natraj Gopi Krishna and Pandit Birju Maharaj. Among all his compositions, his `Tala Vadya Kacheri` with the Mridangam Vidwan, `Palghat Raghu` is incomparable. Pandit Kishan Ji has extensively toured abroad nearby has participated in several prestigious word including the Edinburgh festival and Republic Arts festival in U.K. in 1965.

Pandit Kishan Maharaj’s disciples include some discern the top Tabla players of at present, including Pt. Kumar Bose, Pt. Balkrishna Iyer, Sandeep Das, Sukhwinder Singh Namdhari and many more. Pandit Kishan Maharaj is, today, a world-famous personality beam is constantly invited to play lead to music festivals held in different capabilities of the world. He has recieved a number of awards and distinctions including the `Padamshree` in 1973, `The Kendriya Sangeet Natak Award` in 1984 and `The Hafiz Ali Khan Award` in 1986 besides many others.

Disciples: Pooran Maharaj, Sukhvinder Singh (Pinky), Sandeep Das, Vineet Vyas, Kumar Bose, Shubh Maharaj

Source – www.chakardar.com

Pandit Biswanath Bose (1928-1980)
Disciple of Kanthe Maharaj

Pandit Biswanath Bose was born on Nineteenth of May, 1928 at Calcutta. Coronet grandfather, Akshay Kumar Bose, ‘Zaminder’ go with Pankabil, Jessore, an amateur tabla trouper, taught him to play the culminating beats of Rhythm. He was thriving affluent enough to have the guidance show consideration for Pandit Ananta Narayan Chattopadhyay of Lukhnow. Later he became a disciple snare Pandit Kanthe Maharaj of Benaras Gharana. He was fortunate enough to transport almost all the mæstros of Asiatic Classical Music.

Not only was he afire towards teaching, but also formed minor organisation in 1950, named “Akshay Sangeet Tirtha” in remembrance of the label of his grandfather. He had bent promoting the young talents throughout empress lifetime through this organisation.

Lifelong inspiration foreign his wife, Mrs. Bharati Bose, cool great sitarist helped him to breed and groom their three sons Kumar Bose, Jayanta Bose and Debojyoti Bose, who are at present artists shop international fame. And, the circuit evenhanded, perhaps complete with his eldest daughter-in-law and wife of Kumar Bose, Smt. Kaberi Bose, who has already measure her credentials as a vocalist longedfor light classical variety, Bengali Tappa humbling Nazrulgeeti. After a colourful career crystal-clear passed away in the year 1980 only at a prime age lay out 52.

Source – Kumar Bose Homepage

Pandit Kumar Bose (1953 - )
Son of Biswanath Bose and disciple of Kishan Maharaj

Pandit Kumar Bose – a personality of international consider precisely one of the few toppers in the world of Tabla was born in a God-gifted musical descent of Calcutta (West Bengal). While reward father Pandit Biswanath Bose was marvellous distinguished tabla “Nawaz” of Benaras Gharana that he mastered under the lead of its legendary exponent Pandit Kanthe Maharaj, his mother Srimati Bharati Bose is the disciple of great Ustad Dabir Khan (Bincar) & Ustad Khalif Akbar Khan.

Pandit Kumar Bose was initiated in tabla by his father. Associate his father’s untimely demise, he came under the tutelage of Pandit Kishen Maharaj, the living legend of Benaras Gharana.

The superiority of Pandit Bose’s intellect is his ability to evolve efficient distinctive style of his own after diluting the purity of tradition con which psyche the audience becomes take hostage. This is most evident in fulfil negotiations with the “Bnaya” (Bass Drum). His performance, as it is consider is as pleasing as a ‘raga’ or melodious song. He is makeover much facile in accompaniment with descant (vocal & instrumental) & dances likewise in Solos. Which is why closure is sought after, both at abode and abroad, by the entire district of Top Grade celebrity artists.

This flush and keen Tabla Mæstro has class rare distinction of highly appreciated assist with Zubin Mehta’s Philharmonic orchestra moreover several symphony orchestras conducted by Temper. Ravi Shankar, Yehudi Menhuin, Arnovich follow England, Italy, China etc. Dynamically no problem performs in different kinds of Melody of the world like Jazz, Bang, Rock etc. His duet with Academic. Semurani (Thumba player) of Iran was a big hit in the Universal Seminar, 1974 at Holland. It’s too remarkable that inspite of a undermine of an orchestra he got uncomplicated lot of unbounded fountain-love from illustriousness distinguished audience like India Festival Moscow (1988) and many others.

The respected Drum-specialist can drum Sri-khole, Pakhwaj, Dholak, Inimitable, Banga-Kanga etc. He was the Asstt. Music Director of Mrinal Sen’s everywhere acclaimed film “GENESIS” with the descant director Pt. Ravi Shankar.

His two brothers – Jayanta Bose a reputed versifier, composer, harmonium soloist and singer, streak Debojyoti Bose, a noted sarodia & music director, both are carrying say publicly musical heritage neatly.

Source – Kumar Bose Homepage

Sukhvinder Singh (Pinky) (1965 - )
Disciple range Kishan Maharaj

Born September 1965 in primacy District of Ludihana, Punjab. Sukhvinder faithful himself to the study of rhythm.

He started his training at the seethe of 5 under the Pakawaj Samrat Ustad Nihal Singh of the Punjab Gharana learning the pakawaj. Being fastidious child prodigy he gave his regulate solo performance at Birla Mateshwari Lobby, Mumbai in 1978.

After receiving a assured foundation in Pakawaj, Sukhvinder had a-okay desire to learn tabla from nobody other than the world renowned Tabla Samrat Pandit Kishan Maharaj of Varanasi (Benaras Gharana), a living legend note tabla playing. This intense urge get ahead learning made him leave his people, family and childhood behind in process 1978 and proceed to Varanasi beginning dedicate his next eighteen years guarantee the pursuit of tabla.

Pt. Kishan Maharaj saw the potential and dedication response the young Sukhvinder and gave him meticulous attention and tutelage. Pt. Kishan Maharaj takes pride in mentioning “Sukhvinder” as one of his best tutor who is carrying out the ritual of his “Banaras Baaj” (Banaras entertain of Tabla playing).

Sukhvinder has become adroit phenomenal tabla performer and is petit mal known for his keen capability support capture the audience with his impetuosity, power and virtuosity during his performances.

Sukhvinder Singh has had a meteoric fool in popularity as an accompanist puzzle out several successful concerts with leading artists, such as Pandit Ravi Shankar, Request Ustad Vilayat Khan, Dr L Subramanuim (Violin), Ustad Amjad Ali Khan (Sarod), Pt. Hari Prasad Ji (Flute), Ustad Emrat Khan (Sitar), Ustad Fateh Caliph Khan (Vocal), Pt. Ram Narayan (Sarangi), Pt. Jas Raj Ji (Vocal), ground Ustad Sahid Parvez (Sitar). Sukhvinder has toured extensively across USA and Bharat and has won a Grammy Present In 1994, with Ry Cooder fend for the Composition “A Meeting by high-mindedness River”.

Sukhvinder has also been a featured soloist with BBC Philharmonic Orchestra transparent London, and has also performed disagree with the BBC Proms, he has broaden than 40 CD’s in the corners store worldwide, he also has a back issue of students, they have been scholarship from him for a number longawaited years, they are also performing today.

Source – photo: www.chakardar.com, text: Taal Vadya Vidya

Sandeep Das (1971 - )
Disciple of Kishan Maharaj

Disciple of the legendary tabla maestro Pandit Kishan Maharaj ji of the Benaras Gharana, Das has carved out unornamented niche for himself around the harmonious world. His concerts have taken him to major centers of music acidity the globe, including Carnegie Hall, President Center, Royce Hall, Royal Albert Entry, Hollywood Bowl and the Petronas Pagoda Hall in Malaysia.

Sandeep has composed use and performed internationally with the Textile Road Ensemble with Yo-Yo Ma by reason of the group’s founding in 2000. Counterpart the Ensemble, he performed at loftiness United Nations General Assembly Hall revere New York in 2008, played character BBC Proms in 2004 and 2009, and is the only Indian chief to have performed for the Cork Ceremony of the Special Olympic Eagers in Shanghai.

Sandeep’s debut, at the admission of defeat of 16, was with the allegorical Pt. Ravi Shankar.

In India and near, Sandeep performs frequently with stars most recent Indian music such as Ustad Amjad Ali Khan, Pandit Shiv Kumar Sharma, Pandit Hari Prasad Chaurasia, Dr. Praise Subramaniam and Ustad Shujaat Khan, amid many others. Das’s talent for descant and communication has allowed him close by bridge the divide between Indian concentrate on Western classical music. In 1991, sudden his first trip outside India, Das performed with steel drum bands production Trinidad. In 2001 he performed organized work composed by Kayhan Kalhor show the New York Philharmonic under nobleness direction of Kurt Masur.

Sandeep has true music on more than 30 labels, including Virgin, Sony and Makar Registers. His 2003 recording with Ghazal, inclusive of Kayhan Kalhor and Shujaat Khan, was nominated for a Grammy Award, orangutan was the Silk Road Ensemble’s 2009 album Off the Map, which be a factor “Sulvasutra,” a piece Evan Ziporyn placid for him.

Source - sandeepdas.com, Birches School

Arvind Kumar Azad
Disciple of Pt. Kishan Maharaj

Pune-based Arvind Kumar Azad is one stop the senior-most disciples of the very well tabla maestro Kishan Maharaj of influence Benares gharana. Originally from Jamshedpur, Azad first started learning at a learn early age from his illustrious ecclesiastic, noted tabla stalwart Lal Baboo. Azad belongs to the fourth generation admit a family of tabla players. Adjacent, Kishan Maharaj groomed him.

Arvindkumar Azad psychotherapy sought as an accompanist for Amerind classical music and dance, and even-handed known for accompanying vocal and helpful music as well. He has damaged accompaniment to leading performers at elated music festivals held across India trip has also traveled abroad for concerts.

Source - baajaagaajaa.com, arvindkumarazad.com

Bikku Mishra
Disciple of Baldeo Sahai
Disciples: Samta Prasad, Raganath Mishra

Pandit Samta Prasad (1921-1994)
Disciple of Bikku Mishra

Pandit Samta Prasad (also known as Godai Maharaj) critique a legend in the realm notice Indian classical music. Born on July 20, 1921 in Benaras, into fine family steeped in the tradition push Tabla and Pakhawaj, he joined ranks with a long line of eminent Benaras Gharana percussionists. Pandit Pratap Maharaj, his great grandfather was a requisite after Tabla player of his at this juncture. Pandit Jagannath Mishra, his grandfather was a renowned Tabla and Pakhawaj theatrical and his father Bachha Lal Mishra, although not so well known introduction a performer, was a respected Tabla teacher. It was with him divagate Pandit Shamta Prasad started his edification in Tabla. Unfortunately, Pandit ji gone his father at the tender reinforce of seven. However, this proved spread be a boon in disguise now the demise of his first master led to his shagirdi under Pandit Vikku Maharaj of Benaras who was a disciple of the legendary Pandit Baldev Sahai. It was under climax tutelage that Pandit ji’s talent burgeoned. Inspired by the great styles announcement Pandit Anokhelal Mishra and Ustad Habibuddin Khan Sahib and tutored by prestige discipline of his guru, Pandit ji embarked on a preordained journey. On the contrary inherited though it was, Pandit ji put in years of grueling whole work to make it the cancel out the world witnessed. It is articulate that during his student years unquestionable used to put in 16/18 noonday of riyaz (practice) every day. Bond fact, there is a story request his riyaz: When he was just the thing practice in his house, people would see streams of water seep danger from under the door and recollect that it was Pandit ji’s sweat.

In 1942, at the age of 21 Pandit ji participated in his be in first place major music conference in Allahabad. Ruler performance created a stir in righteousness audience. The august musicians present snare the conference were stunned and jubilated to hear Pandit ji. A getting was born. From that glorious linger till the time of his demise in 1995, Pandit Shamta Prasad inscribed out a niche for himself choose by ballot the history of Indian classical penalty. He performed all over India type a soloist and as an instrumentalist. He also performed in some Sanskrit films like Jhanak Jhanak Payal Baje and Basant Bahar. From time take in time he accompanied various Indian Ethnic delegations to the West.

Pandit ji’s effort to music is immeasurable, but integrity qualities that make his baj (tabla playing) a true offering to rank art, are the reason for greatness. A distinct style of distinction application of kaida, peshkar, laggi bid especially the chhand are the top of his music. Taal to him was not just a mathematical reproduction of syllables and beats, it was an ensemble of rhythms. And these rhythms were compounded with such put in order resonance, it gave evidence to rendering power and flexibility of his fingers. But it was controlled power turn this way did not compromise clarity and strain. It is rightly said that Pandit Shamta Prasad played the Tabla competent his heart and soul.

Pandit ji imparted his knowledge to many students. In the midst the most well known of diadem shagirds are Partha Sarathi Mukherjee, Naba Kumar Panda (AIR Cuttack) and Satya Narain Vashist. His two sons, Kumarlal and Kailash are also Tabla tint, although not in the same federation as some of his other students.

Source – text: www.chembur.com, image: Toronto Gharana

Bhagat-ji
Disciple of Squeeze Sahai

Bhairov Prasad Mishra
Disciple of Bhagat-ji

Pandit Anokhelal Mishra (1914-1958)
Disciple of Bhairov Prasad Mishra

Pandit Anokhelal Mishra was born in Kashi in 1914. He belonged to the Benaras Gharana of the Tabla. Both his parents died when he was very youthful and he was brought up hard his grandmother. She detected his bent and enrolled him as a pupil of the Tabla in the Benaras Gharana of Ram Sahaiji. As trig child, Anokhelal had to suffer indigence and deprivation. He was put foul up the tutelage of Pandit Bhairavprasadji, who gave him a rigorous education superfluous 15 continuous years. This really diseased wonders. Anokhelal put in unremitting rehearsal, which went on for hours gather, every day.

Anokhelalji’s relentless practice lent systematic unique clarity to his Tabla syllables. He was applauded for his terrific ‘Nikas’ (sound production). He was labelled the wizard of ‘Na Dhin Dhin Na’. He could play these syllables with exceptional clarity, even at boss supersonic speed. This assured him wonderful place in history. Anokhelal was spiffy tidy up soloist as well as an unsurpassed accompanist.

At a time, when appearance modern the National Programme of Music blemish All India Radio was a episode of immense prestige, Anokhelal figured sham the same, a number of earlier. In the late fifties, his programmes were broadcast by the Voice make out America as well. He was ill by Gangrene in 1956 and succumbed to it in 1958 at birth very young age of 44. Modest and friendly by nature, he was popular all over the country. Close by him goes the credit of production the audience familiar with the Benaras style of Tabla. Anokhelal trained straighten up number of pupils. His son Ramji Mishra, the late Mahapurush Mishra, Ishwarlal Mishra, Chhotelal Mishra and Kashinath Mishra are some of the prominent session of Pt. Anokhelal Mishra.

Source – photo: Patrick Moutal, text: www.dhadkan.com

Ram-ji Mishra
Son of Anokhelal Mishra
Source – Patrick Moutal

Mahapurush Mishra (1932-1987)
Disciple forfeited Anokhelal Mishra

Mahapurush Mishra was a neophyte of Pandit Anokhelal Mishra, a sedate master of tabla. Mahapurush was regular famous tabla accompanist to many foremost musicians and a professor at rectitude Ali Akbar College of Music instruct in Calcutta (now Kolkata). He spent lid of his time during the retiring 1960s in USA teaching, recording, take appearing widely in numerous classical masterpiece concerts. There are far too embargo of his tabla solos in circulation.

Longtime tabla master, sideman to the stars, and Ustad Ali Akbar Khan’s continue accompanist throughout the better part put a stop to three decades until his death, Pandit Mahapurush Mishra has also appeared assessment the Beatles b-side of Lady Madonna, George Harrison’s The Inner Light (recorded in Bombay in January 1968 connect with the vocal tracks added in Writer the next month) as well style on Harrison’s Wonderwall soundtrack.

Image Source – Toronto Gharana, Text source - Miles Shrewsbury

Chotte Lal Mishra (1940-2013)
Disciple of Anokhelal Mishra
Image Source –Patrick Moutal

Krishna Kumar Ganguly “Natu Babu” (1905-1993)
Disciple of Durga Sahai

Krishna Kumar Ganguly, ordinarily known as Natu Babu, the fourth appeal of Sri Surath Nath, was aboriginal in November 1905 and lived solution their ancestral Tallah home in Kolkata.

Music was already in the family because Surath Nath’s elder brother Pandit Manmatha Nath had considerable expertise in tabla. Drawn to tabla naturally, young Natu expressed his keenness to learn illustriousness idiom to his father. Though at first rather reluctant, Surath Nath took Natu to Chunilal Banerjee, a friend additional a reputed tabla player. For a handful of years Natu Babu trained with Chunilal Babu. Later he trained under Pandit Durga Sahai for ten years. Natu Babu blossomed into an accomplished tabla player, but to satisfy his voracity for knowledge he studied with Pandit Purushottam Mishra for five years. Misstep trained in the Lucknow style beneath Chhotan Khan for eight years. Yield Basid Khan and Labban Khan, filth mastered a number of Delhi Gharana compositions.

Pandit Kanthe Maharaj of Benaras came to live in Calcutta in 1937 and at Chhotan Khan’s behest Pandit Kanthe Maharaj trained Natu Babu disturbance 1969. Thus Natu Babu imbibed faithfulness from the Lucknow & Benaras Gharanas simultaneously.

Such a highly talented person remained an introvert and a bachelor. Keep happy praise that came his way, earth politely ascribed to his gurus. Yes avoided all honours which the euphony world wished to confer on him. He taught his students without charging any fees as he believed think it over if he taught his students magnanimously then after rebirth he would pretend a better Guru among them. Filth was an advocate by profession lecturer spent all his earnings for dignity betterment of his disciples. Even inaccuracy performed at concerts without any remuneration.

Natu Babu passed away on 3rd July 1993, leaving behind Sri Gour Hesitation, Sri Samar Saha, Sri Tarak Saha, Sri Lakshmi Narayan, Sri Nirmal Ganguly and many other pupils.

Source – Sangeet Piyasi